whether you're building the ultimate gaming machine or configuring the best movie-viewing setup, graphics capability is likely at the forefront of your mind. But getting the most out of your media requires a sound card with the best in audio fidelity, and Auzentech's X- Fi Forte 7.1 is just that. The Forte 7.1 builds on Auzentech's previous sound card, the Prelude 7.1. The major difference between the two cards lies in the Forte's PCI-E interface, which offers a higher throughput than the Prelude's PCI interface. Like the Prelude, the new Forte sports Creative's X-Fi chipset, but receives a boost with updated circuitry and components, including EAX 5.0 support. The Forte has a 120dB D/A converter, headphone amplifier, and microphone pre-amp. It also features 64MB of X-RAM. Other worthwhile specs to mention include the IS-pin analog I/O rnulticablc and replaceable OPAMPs (operational ampli- fiers) for the front left and right audio. Installation was a cinch. The card is shipped with a low-profile bracket-perfect for fitting into HTPCs. But we tested the Forte in a desktop computer, so we attached the standard bracket that is included in the package. To switch brackets, we had to remove a single Philips head screw and two jack screws. It's worth mentioning that you'll need a 3/16 nut driver for the jack screws, a tool that not everyone will have lying around . We tested the Forte 7.1 using M- Audio's StudiophileAV 40 reference speaker system. We were quite impressed with the clarity and intensity of the sound. There was a significant difference from our system's onboard audio, and by tweaking the options in the included audio software, we were able to customize the audio. The software was easy to use, with Entertainment, Game, and Audio Creation modes. The Entertainment and Game modes were pretry intuitive, with a basic volume wheel and equalizers. The Audio Creation mode was much more involved and should be reserved for advanced (or meticulous) users, as there are far more options to configure, including dB levels for all speakers and auxiliary effects . | | | |
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